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The front of heavy surfaces victimized on the midland is meant to dividing line the wooden exterior, an eversion of what is ordinarily done. For each one construction is tailor-made to its taxonomic category program, with gently–altered floorplans creating an equally full of life and varied home discipline experience. A freshly itinerant organisation and the get at nosepiece to the installation volition slim down sonorous fomite traffic through the inhabited inwardness. Furthermore, the photovoltaic panels, luxuriously energy-efficiency systems, and irrigate recovery systems for noetic expenditure of piddle resources testament be enforced – an go about in ancestry with the company’s sharpen on biology length of service.
The blueprint not merely honors Bhutan’s plenteous finish simply likewise sets a new criterion for mindful, adaptable computer architecture that testament acquire with the country’s hereafter piece beingness frozen in its retiring.” Adapting to the subtropical climate of Southern Bhutan, the airport incorporates climate-responsive, passive designs seen in traditional Bhutanese architecture. Its wooden structure absorbs moisture from the air, helping to regulate indoor humidity, while ventilated roofs and courtyards encourage natural airflow. The airport will also become Bhutan’s first in-land mobility hub, promoting the use of public transportation with easily accessible trackless trams and buses that connect to Gelephu’s revitalized town center and the rest of the country. Aptly named the Forest Spine, the courtyard divides the terminal into two sections, with domestic flights on the west side and international flights to the east. Visually accessible from anywhere in the airport, the Forest Spine offers passengers a connection to nature even inside the airport, with tranquil green spaces, a treetop walkway, and indigenous fauna. A series of half floor plates overlap to create a cascading environment of interconnected levels that unite the entire seven-storey building visually and physically into a single space. The floor plates are carried by 20-m-long concrete beams stacked on top of each other, which make the exterior façade appear as a checkerboard of interchanging solid beams and transparent windows. Bella Arena’s forecourt becomes a sequence of smaller green rooms, shaped by sunken beds, microclimate pockets and seating folded into the landscape. The green crack continues up the building façade, guiding visitors through the site as intuitive wayfinding.
The first building completed within the masterplan is The Honeycomb, designed in response to the Bahamian lifestyle. Each home has a giant balcony forming an outdoor living room with a summer kitchen and a pool sunken into the floor. The weight of the water is carried by the four-meter-high partition wall between the homes below serving as a room high concrete beam. BIG’s design for the new ground up building is rooted in the local character of the area, taking advantage of the contextually defined building envelope while creating continuously cascading work environments that will connect Googlers across multiple floors. By opening up the ground floor and activating the roofscape, the light and airy workspaces are sandwiched between the terraced gardens on the roof, and market halls, auditoria and shops on the ground. The program is organized around 11 basic studio ‘modules.’ Each module consists of the large span stage, vertical transportation, and production support spaces such as scene shops and dressing rooms.
Instead of creating design solutions that aims at dealing with snow by shoveling or moving it, BIG created a village that utilizes the full potential of snow. When it is caught on the façade the window frames become a living part of the landscape, adapting to changes in the weather. The first stages of project development at BIG always involve a careful study of the site and the programmatic requirements.
Traditionally a sprawling city of dense low-rise buildings, the skyline of Quito was re-imagined following the relocation of the city-center airport over a decade ago. With the skyline able to grow upwards for the first time, Uribe Schwarzkopf worked with BIG to realize a new contemporary identity for the city. One of the home’s original staircases was removed to create a single and more seamless connection from floor to floor. Located at the site of Denmark’s largest Refugee camp from World War II, BIG has adapted and extended one of the camp’s few remaining structures – a hospital building – into a 1,600 m2 museum. The adobe-like color and texture of the horizontally layered wall appear like geological strata in an exposed cliff. Inspired by the Uruguayan engineer and architect Eladio Dieste, the sinuous curves at the foot of the pavilion provide both structural stability and social niches for the audience and performers. Organic form as structural function – emerging from the natural slope of The Long Center’s front lawn. Descending below deck via a bright red stairwell, the basement has been transformed into a futuristic playroom for all ages, stripping away additions to reveal streamlined curves. Over time, the streets will be filled with furniture, planting and murals, creating a place where residents, workers and visitors can enjoy gathering outdoors, practice sports and play, celebrate the diverse culture of Downtown Brooklyn.
